Latest sites

  • 2017-11-26: New Drupal 8 site at Rue du Commerce, architected and tech-led by OSInet, just went throught Black Friday week with flying colors thanks to RabbitMQ
  • 2017-05-26: New headless Drupal 8 / Symfony 3 site at FranceTV Sport, architected and tech-led by OSInet, with RabbitMQ
  • 2017-02-20: New Drupal 8 site galaxy (+/- 70 sites) for Agences Régionales de Santé architected and tech-led by OSInet, delivered by Klee
  • 2015-08-21: 50% less server load with MongoDB on the Drupal 7 site factory at France Télévisions
  • 2015-07-15: Our first Drupal 8 production site at France Télévisions is live
  • 2014-08-18: 400% speedup in 3 weeks for http://france3-regions.francetvinfo.fr/ : who said Drupal back-offices had to be slow ?
  • 2014-02-07: Sotchi Olympics traffic not a problem for http://www.francetvsport.fr/ , which I rearchitected on Drupal 7 in 2013
  • 2011-09-14: Completed migration of FranceInfo.FR from SPIP to Drupal
  • 2011-07-13: The new social network features of Le Figaro are now powered by an OSInet-designed MongoDB implementation

Quick news

  • 2014-03-27: MongoDB Watchdog module ported to Drupal 8 at the Szeged Dev Days.
  • 2014-01-26: My post on the Symfony web profiler in Silex selected in Week of Symfony. w00t !
  • 2013-10-18: My first commit went into MongoDB today. And, guess what ? It's in JavaScript
  • 2013-09-20 to 29: Working on Drupal 8 EntityAPI at the extended code sprints during and around DrupalCon Prague
  • 2012-08-19: Working on Drupal 8 EntityAPI at Drupalcon Munich
  • 2012-06-15: Working on Drupal 8 EntityAPI at DrupalDevDays Barcelona
  • 2012-03-23: Working on the future Drupal Document Oriented Storage at DrupalCon Denver. D8 or later ? Bets are on Later

Tania Maria live

Following JP's suggestion, the whole band went to see Tania Maria in Palaiseau yesterday.

Now, I had heard lots of praise about her in the late 80s, notably from Isabelle, who used to sing and play drums in one of my former bands, but I had not been enthused by what I had heard, so I went to the concert ready to be disappointed : after all, I've never liked latin music *that* much.

The stage layout brought the first surprise : instead of the traditional band we had expected to see, based on her previous work, were just a grand piano and a mammoth percussion set. The concert itself was indeed a revelation, although not really about Tania Maria herself.

Sure, she masters the arts of singing and playing the piano, but we all already knew that. The more intriguing parts came from the music as a whole, and from the percussionist, who left Dom (our drummer) dazzled and bewildered. I regret not having understood the guy's name, but his playing was briliant.

The piano part itself struck me for another reason : I had been expecting some standard latin fare, but the music was dense with constantly broken themes and counterthemes, leaving an impression of a very "learned" and "worked" music, although Tania Maria's art made it look as if everything was more or less improvised from deconstructed and reconstructed lines.

In spite of the overall latin tone, I couldn't help but think of the work of Darius Milhaud, which conveys the same impression of work and rework to complexify music as much as it can bear (unlike, say, Gabriel Fauré's work, which is only a bit earlier).

But it's only when I came back home to check on Milhaud that I noticed he had indeed created a set of brazilian dances "Saudades do Brasil". End of loop !